So, where am I at? (And why did I just end that with a preposition? And why do I use the ask-yourself-a-question-then-answer-it device? Or the hyphenate-a-bunch-of-words-like-they're-a-singular-adjective thing? Because I am a lazy writer.) Let's take stock of what I've read since I started this endeavor.
- Moneyball: The Art of Winning an Unfair Game by Michael Lews (W.W. Norton & Company Inc, ISBN 0-393-05765-8)
- Nineteen Eighty-Four by George Orwell (Secker and Warburg, ISBN 978-0-452-28423-4)
- Heart of Darkness by Joseph Conrad (Penguin, OCLC 16100396)
- The Old Man and the Sea by Ernest Hemingway (Charles Scribner's Sons, ISBN 9780684801223)
Not bad for a guy who hates to read. The first was one of those books I had been meaning to read, or at least pretended I meant to. The next three are books I probably should've read in either high school or college, but didn't. But I've told you what I thought about Moneyball, I haven't yet said a word about the others.
I really enjoyed Nineteen Eight-Four even though it depressed the heck outta me. I knew it was dystopic; I had no idea it'd leave me without an ounce of hope. I don't always need a happy ending, but, man! Orwell really sets you up to believe or have a sense of optimism, even while painting a society complete devoid of anything enjoyable. I also kept thinking of A Clockwork Orange while reading it, for obvious reasons. That reminds me, I should watch that movie again. Actually, I suppose I probably ought to read the book...
Heart of Darkness... now there's a heart warmer. Not exactly the pick-me-up I needed after the Orwellian depression I had sunk into. Honestly, I was a little disappointed in this one. I didn't feel the, well, darkness I expected. It more just felt empty and vague. Who was Kurtz, really and what did his dying words mean? I did appreciate the way Conrad makes Marlow his surrogate but still makes him a character and not just a narrator. And the fact the real-time world interjected occasionally (which I likened to the Fred Savage and Peter Faulk cut-ins in Princess Bride. Man, I am a literary master!) was actually appreciated.
The Old Man and the Sea was also a bit depressing, but it at least left me some other feeling than utter dismay. I think that's the function Manolin serves; he gives you some sense the old man's struggle with the marlin wasn't entirely in vain. Plus, it felt timely considering my recent vacation to Key West and the fact that's where Hemingway lived when he wrote the book. Unlike Hemingway, I did not encounter any marlin on my trip, but I did come across grouper, sting rays, eagle rays, a tarpon, and two nurse sharks while snorkeling. That was something. But I digress...
Next up, as I mentioned in my very first post, is Ray Bradbury's Fahrenheit 451. It truly is a coincidence that I'm starting this on the same day news broke of Mr. Bradbury's passing. Although this blog is named after one of his short stories, I have to admit I'm not overly familiar with the man's work. I'm really looking forward to this one, even though I've just been complaining about the realization I made a reading list full of dystopian novels. From the stories I've heard today on NPR, I'm at least led to believe this one ends with a little more hope. I'm crossing my fingers I'm not disappointed, but I'm also not holding my breath.
Side note: Is there a word that means something like serendipitous when circumstances aren't necessarily pleasant? I'm not what I'd call happy that Bradbury's death coincides with me starting his book, but there was some sense of satisfaction I'm doing the right thing. I don't know...
I think after this it's time for a break from novels completely. I have Upton Sinclair's The Jungle that was supposed to be next in the queue, but I have a feeling that'll bum me out too. Perhaps I'll move on to Darwin's On the Origin. I guess we'll see how long this takes me and what my mood is when I'm done. Yeah, that might be best for all involved.